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The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content. The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content. The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.

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Static and dynamic content editing

A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!

Static and dynamic content editing

A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!

Static and dynamic content editing

A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!

Static and dynamic content editing

A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!

A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!

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Death & Opulence

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Death and Opulence is a metal finishing and jewelry design project sponsored by K&L Anodizing & General Brite Plating Co (G.B) in Los Angeles. The objective of this project was to create an object that showcases the unique capabilities of metal finishing or anodizing.

Awarded 3rd place in sponsored contest.

Product Design,
Brand Strategy

Spring 2020
14 Weeks

Solidworks
Keyshot

Death & Opulence

From ashes to ashes, from dust to dust.

Given that many jewelry pieces are mass manufactured, how can pieces become unique to their wearer?

Market Trend

Personalization with history: There is a renewed desire for luxury among millennials and Gen Z in jewelry as expressive heirloom objects.    

Among the desired objects in this trend are DIY personalized products with a back-story & appreciation of craftsmanship

Source Stylus trends report, 2019

Potential Consumer

What kind of person would be interested in this kind of jewelry?

Persona

Kate, 25

Travel Photographer & fashion blogger

• Loves fine art and history

• Wealthy from family inheritance

• Internationally experienced

• Loves heirloom objects with backstory and craftmanship

The imagined average consumer: Young, hip, crafty, & experienced

Initial concept inspiration - Signet Rings & Acquired Uniqueness

The desire for personalization seems familiar. What does this trend remind me of?

Concept 1: Modern Heritage

Inspiration: Stamp rings & Memory

Inspired by traditional signet rings, the goal of this concept is to create a piece that feels everlasting, significant, & has a material richness

The signet ring concept was in response to the heirloom trend. "What's a modern heirloom these days?"

However, signet rings require history to establish a unique symbolic character

Concept 1: Modern Heritage

Inspiration: Stamp rings & Memory

Stamp rings & Memory

This design featured a concave brushed lacquer form with engraved fingerprint in response to the idea of modern personalization.

So then I thought..

What if....

There was a jewelry finish designed to change over time in a way unique to each individual wearer?

A visit to the sponsor, General Brite Plating Co. in Los Angeles soon followed.

Metal Plating Facility Visit - Opportunities

General Brite plating offers two main services: metal casting and metal plating.

Here I noticed two opportunities for highlighting surface finish.

1. Their metal casting capabilities are small scale but can make super fluid & organic forms using wax casting.

2. General Brite can plate multiple layers of metal on top of each other that wear away over time.

Example of fluid form wax cast

Metal parts in the process of plating. The green cords run a current through the metal part.

Outdoor storage for large scale plating projects

Medium scale art piece applying patina

Hanging racks for plated objects drying

Large tanks for plating

Aesthetic Inspiration

Inspired by General Brite's capabilities, I thought about light contrasts, color coatings, and fluid shapes

How might we design: Mixed material ornamental jewelry or lighting with materials that improve over time?

This inspo board was made after visiting General Brite & understanding their capabilities and marketing goals

Surface Finish over time

With the two options of casting and plating, there were opportunities to create a finish that stays consistent over time and a finish that changes over time.

After talking with the sponsor I decided to make two lines of jewelry because of probable market demand.

1. Solid precious metal casts for people who want their jewelry consistent

2. Multi-plated finish that changes over time with cheaper zinc cast core for people who want more variety

Multi-Plated: Zinc core cast with metal plating layers on top.
Further plating layers wear over time establishing wear pattern unique to user

Soild cast/anodized: Consistent stable finish that stays the same over time

Memento Mori - Form and Meaning

Inspired by the high shine finishes and organic castings I saw at General Brite, I started thinking about how the changing metal finish could be used to tell a story.

Form

Because the metal finish is always in a state of change, a lot of the form inspiration came from art pieces with fluid forms that seemed to change depending on viewing angle.

Meaning

As the finish is always changing, I wanted the form of the ring to reflect the same idea of non-permanence by having a melting/distorted form, almost as if it's caught in a state of melting away.

The idea behind this was to remind the wearer that change is inevitable and nothing lasts forever.

Secondary concept inspiration - Distorted Reality

This conceptualization stage explored fluid forms that seemed to be caught in the process of melting away. Inspired by what I saw at General Brite.

Concept 2: Distorted Reality

Inspiration: Surrealism & Cubism

Inspired by the works of Salvador Dali & the Cubism movement, this concept focuses on reflecting light on curved forms with multiple layers of detail.

Concept 2 came from visiting General Brite's factory and casting abilities. It seemed like anything could come out of the plating tanks.

Concept 2: Distorted Reality

Inspiration: Surrealism & Cubism, Japanese kintsugi repair technique

Ideation revolved around melting sinuous forms that conveyed the message of "Change" by being in between a state of solid and melted metal. Value through unique character.

Final Concept Direction: Dutch Symbolic Paintings

I thought the combination of Surrealism and Dutch memento mori paintings could be interesting because there was an opportunity for storytelling.

Surrealism's flowing forms could work well with the decaying objects presented in Dutch still life paintings.

Warnings Against Opulence: Storytelling through form, finish, & luxury materials

Form: Contrasting design with a refined bottom part and melted distorted looking top face

Components: Changing finish (Unique wear patterns, Impermanence) + Melted form (Impermanence) + Precious Metals (Material appeal)

Form development scrapbook

This Process entails the journey from "Melting form" ideation to modeling and physical prototyping.

For more detailed explanation, please scroll to "Process" at the bottom of the page.

Tiny sample of finishes on hand. So many combinations

Death (Melting form) & Opulence (Metal band and ring material)

3D prints to determine scale

Models started out angular but transitioned to smooth curves to convey "deformed" better

Graphic exploration and sizing models for scale examination

Then made a 3D model based on the photoshop underlay

I then photoshopped classic art for my own distorted human versions. This one is a Edvard Munch painting

I wanted distorted faces and heads on top that looked like they were melting surrounded by a valuable metal band.

What form signifies deformation? Exploration of blemished shapes

I then decided to explore "A valuable ring past its prime"
-Faded richness

Explorations of a ring with melted form, distortion, and reflected light

Explorations of a ring with melted form, distortion, and reflected light

Final model and finishes

Assembly

The pieces will be cast as two solid pieces in various sizes, masked & plated individually, then precision fit with a small amount of epoxy joining the two pieces together

CMF Option: Blush

Inset Material: Yellow gold, pink gold (copper-gold alloy)

Band Material: Yellow gold

A finish designed to give the sensation of the American Southwest and the hues of the sunset. Finish wears away over time to reveal layers underneath

CMF Option: Ultraviolet

Inset Material: Blue zinc, Brass, indium gold alloy inset

Band Material:
Yellow gold

A finish designed to give the sensation of the Northern Lights with a touch of imagination. Finish wears away over time to reveal layers underneath

CMF Option: Evergreen

Inset Material: Patinated copper, brass inset

Band Material: Yellow gold

A finish designed to bring the sensation of a deep rich evergreen forest or green bottle. Finish wears away over time to reveal hidden layers underneath

Alternative Finishes

Anodized blue & silver

Anodized green & gold

Gold & silver

Gold & silver

Gold & french hard enamel

White Epoxy & gold

Hammered brass & silver

Silver

Silver & gold

Manufacturing Option: Hard Coat Anodizing

For consumers wanting a jewelry piece that retains a consistent finish over time the ring will be hard anodized to prevent scratches or any signs of wear and tear.

Medium End Finish

(Zinc cast core, Plated exterior)


2000 Units

$8-10/Unit

~$50/Unit Retail

High End Finish

(Precious metal solid cast)


300 Units

$175/Unit

~$350/Unit Retail

Manufacturing: Cost Breakdown

Jewelry option costs determined based on manufacturing costs, wholesale costs, average reasonable size run etc. in conversation with General Brite

Potential Retail Environment: The Broad Museum

An ideal retail environment: Moody intimate space with unique products and backstory. For example, The Broad museum gift store.

I've always wanted to design jewelry

I've always wanted to design jewelry.

When I got this sponsored brief I was excited because of the opportunity to design something expressive. When I design conventional products I draw a lot from contextual research, but with this project it was a great opportunity to design emotionally and show how I find the connections between things that are seemingly so far apart.

Process Highlights

- Conceptual Development

-CMF Design

-Storytelling

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