Category:
Year & Duration:
Software Used:
Product Design,
Brand Strategy
Spring 2020
14 Weeks
Solidworks
Keyshot
Personalization with history: There is a renewed desire for luxury among millennials and Gen Z in jewelry as expressive heirloom objects.
Among the desired objects in this trend are DIY personalized products with a back-story & appreciation of craftsmanship
Source Stylus trends report, 2019
What kind of person would be interested in this kind of jewelry?
Kate, 25
Travel Photographer & fashion blogger
• Loves fine art and history
• Wealthy from family inheritance
• Internationally experienced
• Loves heirloom objects with backstory and craftmanship
S/S 2020: What characteristics do jewelry professionals foresee trending?
"Unique decorative designs, mix & match pieces, jewelry with a message that you can make your own."
- Roxanne Assoulin, Ashley Zhang, Jewelry designers NYC
"Out with dark blackened metals and in with a movement I notice is utilizing bright hues in jewelry."
- Colette Steckel, Colette Jewelry
"Personalized jewelry! Whether big or small, engraving or choice of material, jewelry can be more than a fad."
- Justine Lancon, creative director of Mejuri
The desire for personalization seems familiar. What does this trend remind me of?
There was a jewelry finish designed to change over time in a way unique to each individual wearer?
A visit to the sponsor, General Brite Plating Co. in Los Angeles soon followed.
General Brite plating offers two main services: metal casting and metal plating.
Here I noticed two opportunities for highlighting surface finish.
1. Their metal casting capabilities are small scale but can make super fluid & organic forms using wax casting.
2. General Brite can plate multiple layers of metal on top of each other that wear away over time.
Inspired by General Brite's capabilities, I thought about light contrasts, color coatings, and fluid shapes
How might we design: Mixed material ornamental jewelry or lighting with materials that improve over time?
With the two options of casting and plating, there were opportunities to create a finish that stays consistent over time and a finish that changes over time.
After talking with the sponsor I decided to make two lines of jewelry because of probable market demand.
1. Solid precious metal casts for people who want their jewelry consistent
2. Multi-plated finish that changes over time with cheaper zinc cast core for people who want more variety
Multi-Plated: Zinc core cast with metal plating layers on top.
Further plating layers wear over time establishing wear pattern unique to user
Soild cast/anodized: Consistent stable finish that stays the same over time
Inspired by the high shine finishes and organic castings I saw at General Brite, I started thinking about how the changing metal finish could be used to tell a story.
Because the metal finish is always in a state of change, a lot of the form inspiration came from art pieces with fluid forms that seemed to change depending on viewing angle.
As the finish is always changing, I wanted the form of the ring to reflect the same idea of non-permanence by having a melting/distorted form, almost as if it's caught in a state of melting away.
The idea behind this was to remind the wearer that change is inevitable and nothing lasts forever.
This conceptualization stage explored fluid forms that seemed to be caught in the process of melting away. Inspired by what I saw at General Brite.
I thought the combination of Surrealism and Dutch memento mori paintings could be interesting because there was an opportunity for storytelling.
Surrealism's flowing forms could work well with the decaying objects presented in Dutch still life paintings.
Warnings Against Opulence: Storytelling through form, finish, & luxury materials
Form: Contrasting design with a refined bottom part and melted distorted looking top face
Components: Changing finish (Unique wear patterns, Impermanence) + Melted form (Impermanence) + Precious Metals (Material appeal)
What form signifies deformation and what forms could connect to the meaning of faded richness?
I wanted to have melting looking ring with distorted humanish faces and heads on top that looked like they were melting into the material of the ring. My thought process was that this would be a good way to convey excess. As if it was something that showed the worthlessness of materials people usually valued.
This probably will either be casted in one piece then masked or made in two pieces.
After initial sketches the patterns were then traced onto aluminum foil to simulate metal and get a better sense of presence.
The goal was graphic face exploration and deformation/ sizing for the top face piece of the ring. It turns out the face plates initially started out angular but gradually transitioned to smooth curves as that conveys the concept of “melting” more adequately.
After finalizing my direction I found classical art that I photoshopped to create my own underlays for CAD
This one was a reference for my human figures that would melt into the ring.
After finalizing my direction I found classical art that I photoshopped to create my own underlays for CAD
This version is a reference for the distorted human head version based off of a Edvard Munch painting. My goal was to create a scene that looked out of a horror movie, some kind of deformed human that was hard to recognize.
Then a 3D model was created based on the distorted image in Zbrush.
On the left are the measurements of the initial planned ring. However, based on past 3D printed prototypes the design was made considerably smaller for the final because of the proportion of the ring mass to average finger.
This Process entails the journey from "Melting form" ideation to modeling and physical prototyping.
For more detailed explanation, please scroll to "Process" at the bottom of the page.
The pieces will be cast as two solid pieces in various sizes, masked & plated individually, then precision fit with a small amount of epoxy joining the two pieces together
Inset Material: Yellow gold, pink gold (copper-gold alloy)
Band Material: Yellow gold
A finish designed to give the sensation of the American Southwest and the hues of the sunset. Finish wears away over time to reveal layers underneath
Inset Material: Blue zinc, Brass, indium gold alloy inset
Band Material: Yellow gold
A finish designed to give the sensation of the Northern Lights with a touch of imagination. Finish wears away over time to reveal layers underneath
Inset Material: Patinated copper, brass inset
Band Material: Yellow gold
A finish designed to bring the sensation of a deep rich evergreen forest or green bottle. Finish wears away over time to reveal hidden layers underneath
Anodized blue & silver
Anodized green & gold
Gold & silver
Gold & silver
Gold & french hard enamel
White Epoxy & gold
Hammered brass & silver
Silver
Silver & gold
(Zinc cast core, Plated exterior)
(Precious metal solid cast)
When I got this sponsored brief I was excited because of the opportunity to design something expressive. When I design conventional products I draw a lot from contextual research, but with this project it was a great opportunity to design emotionally and show how I find the connections between things that are seemingly so far apart.